Brilliant summing up of last weekend’s conference by writer and journalist Molly Flatt
who herself made an impassioned call for words not gimmicks as writers and technologists etch out mutual ground. An inspiring and thought provoking two days. Set up by Rebecca Swift and Jon Slack of The Literacy Consultancy the conference covered both business and creative ends of the digital discussion.http://www.literaryconsultancy.co.uk/events/literary-conference-2013/2013-programme/
more anon no doubt
Thank you to all at Askance for a great night on tuesday and a great publication. So impressed by the quality of the book and the writing. Great to hear some of the short stories read by the other authors. My Story ‘Carried Away ‘ is subtitled Love, Loss and Tequila. It was Awarded Runner Up Prize in the Askance 2012 Short Story Competition. The story won a small cash prize and will feature in an anthology called Positional Vertigo. More details are on the website. Proceeds of the sale of the anthology will go to support ACT a charity that offer patient support to two main hospitals in Cambridge – Addenbrookes & The Rosie.
I am delighted to have won this prize and that my first print fiction publication is about a subject and a place very close to my heart. Over the years I have had many reasons to use Addebrookes and The Rosie and know how hard times of illness can be for individuals and families. When you are dependent on others for support and uncertain of your future you place yourself in the hands of well meaning strangers and say a little prayer. Charities such as ACT play a vital role in providing real support for patients and help them come to terms with the seismic changes – temporary or long term – that ill health bring to their lives.
Carried Away is a story loosely based on my own experience of miscarriage. Not so much the tequila – although I’m sure wine played a role somewhere – but more the palpable, visceral sense of grief that comes with losing a wanted child at any stage of pregnancy and the difficulties of marking that loss for someone you loved and that you knew in your imagination but never met.”
You can buy your own copy and support new writers and ACT here: Buy ‘Positional Vertigo’ Truly It’s really rather good! Enjoy! E- book coming out in January 2013.
Very excited baout the launch of this short story collection – published to support a great cause.
Come along! At The Hopbine, Cambridge UK from 6-9 pm!
We are delighted to announce Beth Reed as winner of the 2012 Askance Short Story Competition for her story The Thinker. Beth Reed was selected by our charity of the year ACT. In consultation with ACT, Askance have selected two other writers for runner up prizes – SG Yates for Carried Away and Thomas Edward Ogden for Open to Get Inside
Thank you to everyone who entered the competition. We received entries from all over the world and were impressed with the quality of most.
An anthology entitled Positional Vertigo, including all the shortlisted stories will be published in October and launched on 6 November 2012 in Cambridge. It features the work of the three winners and shortlisted stories by Terence Braverman, Robert Good, Jackie Hawkins, Simon Humphreys, Marcella Jackson, Sharon Jarvis, Grace Keating, Omar Majeed, Alex MacLeod, Rob Walton, Vincent Wood and two other stories by DJ Wiseman andJabez Cole.
If you have not heard it already, you might be interested in listening to the editors talking about the book on Cambridge 105 FM – http://askancepublishing.wordpress.com/2012/10/29/breakfast-with-cambridge-105fm/
An informal presentation of past film work and current research at Anglia Ruskin University, Cambridge Campus as part of
‘In this level 3 Creative Practice seminar session Sarah will put some of her past film work in to context and present some of her current research.
Sarah Gibson Yates is a writer and filmmaker interested in how we read, write, interpret and interact with representations of Self in a variety of media. She has made both fiction and non-fiction films in a variety of contexts including galleries, museums, festivals and schools, taught filmmaking to students of all ages and engaged the public in range of community and professional film art practices. More recently Sarah has been exploring the way social technologies are changing the way we present ourselves online through social networking, and in particular the notion of profile making as a form of ephemeral portraiture, and the personal, social and ethical consequences of indelible digital identities. She has written a novel exploring these ideas that has been funded by the National Lottery through the Arts Council and developed through the new writing scheme Gold Dust with Sally Cline, and is undergoing final editing with her agent. Seed development funding was also awarded to explore some of these ideas through a publicly engaged workshop. Her paper on this creative research work in progress is shortly to be published by Intellect’s peer-reviewed journal Book 2.0.’