Thinking about Networked Images and how snapshot or popular photography has changed the way we produce and consume images in this era of cameraphones, photo-blogging and global sharing, this article is a fantastic introduction to the subject offering historical context and many useful references to further research in practice and theory work.
A LIfe More Photographic
Read it and then consider these questions:
What is snapshot photography? Describe its key features.
How has the Internet changed the nature of snapshot photography?
How has the move to screen-based photography transformed the way we take photographs?
How has the practice of photo sharing or photo blogging re-instated the ‘marginalised practice of looking at‘.
What does Lev Manovich describe as ‘a new paradigm to interface reality’ ‘? Why is this significant for understanding the networked images?
Have we lost the ‘decisive moment’ in photography? Substantiate for your answer.
What implication does the artist Paul Frosh’s ideas about stock photography have for networked snapshot photography?
Elsewhere the internet has been described as a ‘network of desire for wealthy countries’. How might this be considered in light of Rubenstien’s/Sluis’s understanding of ‘the rhetoric of personal photography’.
Be great to know what you think or post any related articles of interest.